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 630142378X Availability: Currently unavailable Score: 1000.000 Category: Office Rating: 4.4 Votes: 243 Find similar productsLaw of Desire [VHS]. A film makers sexual disorientation jepordizes his latest project. Popular film director Pablo Quintero (Eusebio Poncela) has found a new love in the form of handsome blue-collar Juan (Miguel Molina). Not altogether comfortable with his lifestyle, Juan decides to leave Pablo for a while to contemplate his future. Pablo insists that Juan keep in touch by sending him love letters. Ever the director, he plans to write the letters himself, and have Juan mail them back with his signature. If you think that settles things, you don't know filmmaker Pedro Almodovar. Among the many plot complications in Law of Desire is Pablo's subsequent romance with the possessive Antonio (Antonio Banderas, whose gay kiss in the film prompted front-page headlines in the Brazilian press), and Pablo's efforts to film the life story of his sister (Carmen Maura), who started out life as his brother. VIEWER COMMENT: This film is an immersion into the topsy-turvy world of Pedro Almodovar and post-Franco Madrid, with plenty of explicit and subtle sexual ambiguity. Carmen Maura is first rate as a transexual actress/actor down on his/her luck, and Antonio Banderas is downright delicious as a young man obsessed with Maura's hedonistic and selfish brother (Eusebio Ponseca). There is great music here, and the movie is fun!. |  B09WWYD2Z1 Price: $20.7 Score: 4.739 Category: Office Rating: 4.5 Votes: 650 Find similar productsTitane - BD. Titane - BD. |
 B0053CBDYC Price: $23.8 Score: 4.237 Category: Office Rating: 4.7 Votes: 1033 Find similar productsThe Stoning of Soraya M. -Cyrus Nowrasteh (English, Spanish, French subtitles) Imported from Spain. The Stoning of Soraya M. -Cyrus Nowrasteh (English, Spanish, French subtitles). Imported from Spain. |  8580575338 Price: $32.97 Score: 3.922 Category: Office Rating: 5 Votes: 4 Find similar productsNao Se Apega Nao (Em Portugues do Brasil). Desapegar: remover da sua vida tudo que torne o seu coracao mais pesado. Loucos sao os que mantem relacionamentos ruins por medo da solidao. Qual e o problema de ficar sozinha? Que me desculpe o criador da frase -voce deve encontrara metade da sua laranja-. Calma la, amigo. Eu nem gosto de laranja.O amor vem pros distraidos.Tudo comeca com um ponto-final: a decisao de terminar o namoro de dois anos com Gustavo, o namorado dos sonhos de toda garota. As amigas acharam que Isabela tinha enlouquecido, porque, afinal de contas, eles formavam um casal per-fei-to! Mas por tras das aparencias existia uma menina infeliz, disposta a assumir as consequencias pela decisao de ficar sozinha. Estava na hora de resgatar o amor-proprio, a autoconfianca e entrar em contato com seus proprios desejos.Parece facil, mas atrapalhada do jeito que e, Isabela precisa primeiro lidar com o assedio de um primo gostosao, com as tentacoes da balada e, principalmente, entender que o principe encantado e artigo em falta no mercado. Isabela Freitas, em seu primeiro livro, narra os percalcos vividos por sua personagem para encarar a vida e nao se apegar ao que nao presta, ainda assim, preservando seu lado romantico. |
 B010WCDNRW Price: $3.56 Score: 3.876 Category: Office Rating: 4.4 Votes: 26463 Find similar productsWuthering Heights (with an Introduction by Mary Augusta Ward). From Publishers Weekly The main drama in Bronte's novel happens in a long narrative told by an elderly housekeeper to a convalescing new tenant. This story-within-a-story setup makes it well suited for audio adaptation, as Scales takes the housekeeper's part and relates the past, while West performs as the tenant and describes the present. Scales primarily uses a folksy lower-class accent, but she also makes her voice harsh and threatening when speaking as Heathcliff, the surly man at the novel's heart. West, as the bewildered tenant, manages to sound both nervous and pretentious, but his part is fairly small, especially with this abridgment, so he mostly serves to provide transitions for the housekeeper's story. The extensive abridgment generally deletes sentences and phrases rather than entire paragraphs or sections. One drawback for the audio format is the difficulty of clarifying the novel's convoluted plot and family tree, since it's harder to search back through long CD tracks than through earlier chapters of the paperback. While a little of the depth of Bronte's writing is lost in abridgment, the novel's emotional core remains intact and wrenching, and the actors' heartfelt interpretations make it easy to imagine being curled up by a warm fire listening to an absorbing tale. In June, Penguin Audio remastered and released on CD for the first time nine other Penguin Classics: Crime and Punishment, Dracula, Frankenstein, Great Expectations, Jane Eyre, Moby Dick, Pride and Prejudice, Sense and Sensibility and Tale of Two Cities. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an alternate kindle_edition edition. From School Library Journal Grade 8 Up-British actor Martin Shaw reads this shortened version of the classic Emily Bronte novel. His easily-understood accent is appropriate and helps to set the mood. Shaw reads at a very steady pace, pausing effectively for emphasis or when his character might be thinking. Usually calm and gentle, his voice can resonate with anger or other emotion when necessary. There is some differentiation in pitch to emphasize male vs. female speech, but it is not exaggerated or overdone. The abridgement retains Bronte's words linking speech or narration sometimes from one page to another. It provides students with an easier way to become familiar with the story and get a feel for her style. Teachers could use this presentation to introduce the novel or to entice students to read it on their own. Claudia Moore, W.T. Woodson High School, Fairfax, VA Copyright 2000 Reed Business Information, Inc. --This text refers to an alternate kindle_edition edition. Review Ideal for the college survey course: judicious introduction plus just the right admixture of explanatory notes (vital for American students' comprehension of dialect words), up-to-date bibliography, and several other brief, indispensable supports to well-informed reading.--Katherine Linehan, Oberlin College --This text refers to an alternate kindle_edition edition. Book Description This Naxos AudioBook CD recording is appropriate for use with the Cambridge Literature edition. --This text refers to an alternate kindle_edition edition. Review Wuthering Heights is a classic tale of possessive and thwarted passion, one of the forerunners of today's soap operas and romance novels. The tempestuous and mythic story of Catherine Earnshaw, the precocious daughter of the house, and the ruggedly handsome, uncultured foundling her father brings home and names Heathcliff, is played out against the backdrop of English moors no less wild and raw than the love they develop for one another. Brought together as children, Catherine and Heathcliff quickly become attached to each other. As they grow older, their companionship turns into obsession. Family, class, and fate work cruelly against them, as do their own jealous and volatile natures, and much of their lives is spent in revenge and frustration. Yet there is something magnificent about the depth and intensity of their love. Even as you condemn Catherine and Heathcliff for the pain they inflict upon themselves and others, it is hard not to listen in awe when Catherine cries out I am Heathcliff! He's always, always in my mind; not as a pleasure, any more than I am always a pleasure to myself, but as my own being. -- For great reviews of books for girls, check out Let's Hear It for the Girls: 375 Great Books for Readers 2-14 . -- From 500 Great Books by Women ; review by Erica Bauermeister --This text refers to an alternate kindle_edition edition. Review 'Excellently produced, with valuable comment. There is a fascinating selection of essays, and there are excellent bibliographies.' - Dr Edward Chitham, The Open University --This text refers to an alternate kindle_edition edition. Book Description Cambridge Literature is a series of literary texts edited for study by students aged 14-18 in English-speaking classrooms. Wuthering Heights by Emily Bronte is edited by Richard Hoyes, Head of English and Media Studies, Farnham College, Surrey. --This text refers to an alternate kindle_edition edition. Excerpt. © Reprinted by permission. All rights reserved. From Daphne Merkin’sIntroduction to Wuthering Heights More than 150 years and many cultural upheavals later, Emily Brontë’s novel remains almost blindingly original, undimmed in its power to convey the destructive potential of thwarted passion as expressed through the unappeasable fury of a rejected lover. To paraphrase Shakespeare, age cannot wither it, nor custom stale its infinite variety. Every aspect of the novel—whether it be the writer’s expert grasp of the laws pertaining to land and personal property, her meticulous rendering of local dialect, or her use of multiple narrators—has been put under microscopic study. And yet, despite the shelf after shelf of books that have been written in the attempt to understand the frail yet flinty-willed young woman—the sphinx of literature, as she was called by Angus M. Mackay in The Brontës: Fact and Fiction (1897)—who wrote it, as well as the tragedy-struck, remarkably talented family from which she came, Wuthering Heights still presents a dark and fierce view of the world that is seemingly without precedent. The book’s autobiographical components aroused interest from the start, especially given the original mystery surrounding its authorship. Lucasta Miller, in The Brontë Myth , gives an often spellbinding account of the ways in which the Brontës’ lonely moorland lives (p. xi) lent themselves to the process of mythification even before the last sister had died. (None of them lived to see forty: Anne died within five months of Emily, at the age of twenty-nine, and Charlotte, the only one of the sisters to marry, was in the early months of pregnancy at the time of her death, at the age of thirty-nine.) But unlike Charlotte, who lived long enough to help shape the myth that would grow up around the Brontës, beginning with Elizabeth Gaskell’s landmark Life of Charlotte Brontë , which appeared in 1857 and for which she was the primary source, Emily wasn’t around to answer for herself. All of Emily’s biographers have had to cope with the absences surrounding her, Miller notes (p. 193). The baroque conjectures concerning her character were first introduced by Gaskell’s Life , which included scenes that had Emily pummeling her disobedient bulldog into submission with her bare hands and dramatically cauterizing a bite from a strange dog with a red-hot kitchen iron. Gaskell’s two-dimensional portrait of Emily as kind of savage force of nature, a remnant of the Titans,—great-grand-daughter of the giants who used to inhabit earth, held sway for decades, drawing admirers like the poet Algernon Charles Swinburne, whose own provocative impulses (which included a well-documented sadomasochistic bent) were stirred by the novel’s almost pagan quality, its disregard for bourgeois niceties. The efforts to penetrate Emily’s veils grew even more overheated in the wake of Freud, just as the textual analyses would become more and more exotic in the trail of the new French theories of narrative propounded by Derrida and Foucault. One 1936 biographer, who featured herself as having paid especial and respectful attention to primary sources, misread the title of one of Emily’s manuscript poems as Louis Parensell instead of Love’s Farewell in her zeal to bring new light on a hypothesized lost lover, and then went on to unearth another dark secret, proposing that Emily had been a member of that beset band of women who can find their pleasure only in women (Moore, The Life and Eager Death of Emily Brontë . There were discussions as to how genuinely close Emily had been to her sisters Charlotte and Anne, or whether she in fact resented the older one and patronized the younger. Was she a domestic slouch, oblivious to all except her febrile imaginings and the wind howling over the moors? Or was she in fact something of a fifties housewife type, sweeping the floors, ironing the linens, and baking bread while her chronically depressed father took his meals in his room and her brother, Branwell, drank himself to death in the Black Bull tavern? Was her consuming interest in food and what was being prepared for meals by Tabby, the housekeeper, as evidenced by the few diary entries that have come down to us, a sign of a robust immersion in daily life or a clue to something more disturbing? (In A Chainless Soul , Frank makes a plausible case for diagnosing Emily as suffering an anorexic’s death by starvation.) Some of the more unrestrained speculations tended to focus on the elusive genesis of Wuthering Heights . Emily’s ill-fated brother, Branwell, who had been earmarked within the family for artistic glory (money was scraped together to send him to London to pursue his artistic interests) but died ignominiously at the age of thirty-one, a hostage to gin and opium, was at the center of the theories that swirled around the decades-long disputed authorship of Emily’s novel. The controversy began with an article, published in 1867 and written by an acquaintance of Branwell’s, himself an amateur poet, which claimed that the author had once read a manuscript of Branwell’s that contained a scene and characters similar to those of Wuthering Heights (Miller, p. 229). This controversy—or great Brontë conspiracy theory, as Miller describes it (p. 228)—was fueled largely by disbelief that a reserved young daughter of a rural clergyman could have written so volcanic a book, but also on the basis of Branwell’s having shown early literary promise as a coauthor of the Brontë children’s joint writing efforts, an all-consuming escapist pastime that Charlotte would later refer to as their web of sunny air (Frank, p. 57). It was quickly taken up by other of Branwell’s friends, and although it was eventually demolished in Irene Cooper Willis’s The Authorship of Wuthering Heights (1936), the idea has continued to intrigue scholars and biographers up until the present day. But by far the most intense (and screwy) psychological scrutiny was reserved for the close relationship between Branwell and Emily. After Charlotte had given up on him as a bad egg, Emily continued to stand by her older brother, calming him down and getting him to bed during his drunken outbursts. This aspect of the Brontë family life led to speculations about a possible incestuous aspect to Branwell and Emily’s relationship, especially in regard to its being the model for the relationship between Catherine Earnshaw and Heathcliff. (One theory suggested that Heathcliff was in fact the bastard son of Mr. Earnshaw and thus Catherine’s half brother.) Of course, this theory clashed with yet another view that saw Branwell as doomed by his closet homosexuality, which may or may not have emerged during the period he spent as a live-in tutor to a young boy, Edward Robinson; his employment ended in disgrace after Branwell was dismissed with the threat of scandalous exposure if he tried to get in touch with any of the family. Branwell later retailed this scandal as an adulterous affair he was having with his pupil’s mother. --This text refers to an alternate kindle_edition edition. From the Back Cover Emily Bronte's only novel appeared to mixed reviews in 1847, a year before her death at the age of thirty. In the relationship of Cathy and Heathcliff, and in the wild, bleak Yorkshire Moors of its setting, Wuthering Heights creates a world of its own, conceived with a disregard for convention, an instinct for poetry and for the dark depths of human psychology that make it one of the greatest novels of passion ever written. --This text refers to an alternate kindle_edition edition. From AudioFile This audiobook offers a good introduction to Bront''s romantic tale of the tormented relationship between Heathcliff and Cathy, two of the best known protagonists in nineteenth-century literature. Page and Merlington, alternating as readers, give a smooth, thoughtful reading, evoking moods through tone and pacing. All in all, the production is successful in interpreting the complex narrative structure of the novel and evoking the spirit of the Yorkshire moors. C.R.A. (c)AudioFile, Portland, Maine --This text refers to an alternate kindle_edition edition. About the Author Emily Jane Brontë (30 July 1818 – 19 December 1848)[2] was an English novelist and poet who is best known for her only novel, Wuthering Heights, now considered a classic of English literature. Emily was the third eldest of the four surviving Brontë siblings, between the youngest Anne and her brother Branwell. She wrote under the pen name Ellis Bell. --This text refers to an alternate kindle_edition edition. From the Inside Flap Wuthering Heights, first published in 1847, the year before the author's death at the age of thirty, endures today as perhaps the most powerful and intensely original novel in the English language. The epic story of Catherine and Heathcliff plays out against the dramatic backdrop of the wild English moors, and presents an astonishing metaphysical vision of fate and obsession, passion and revenge. Only Emily Brontë, V. S. Pritchett said, exposes her imagination to the dark spirit. And Virginia Woolf wrote, Hers...is the rarest of all powers. She could free life from its dependence on facts...by speaking of the moor make the wind blow and the thunder roar. This edition also includes Charlotte Brontë's original Introduction. From the Trade Paperback edition. --This text refers to an alternate kindle_edition edition. From the Publisher My greatest thought in living is Heathcliff. If all else perished, and he remained, I should still continue to be... Nelly, I am Heathcliff! He's always, always in my mind: not as a pleasure... but as my own being. Wuthering Heights is the only novel of Emily Bronte, who died a year after its publication, at the age of thirty. A brooding Yorkshire tale of a love that is stronger than death, it is also a fierce vision of metaphysical passion, in which heaven and hell, nature and society, are powerfully juxtaposed. Unique, mystical, with a timeless appeal, it has become a classic of English literature. --This text refers to an alternate kindle_edition edition. Read more. |  B07J63VLNS Availability: Currently unavailable Score: 3.831 Category: Office Rating: 4.4 Votes: 7 Find similar products[By Amor Towles ] A Gentleman in Moscow: A Novel (Random House Large Print) (Paperback) 〠2018】by Amor Towles (Author) (Paperback). . |
 B07BW5FPMK Availability: Currently unavailable Score: 3.717 Category: Office Rating: 4.3 Votes: 77 Find similar productsSENLLY 다기능 폴리에스터 랜야드 (걸쇠) - 1. . |  B07BW55P1Z Availability: Currently unavailable Score: 3.717 Category: Office Rating: 4.4 Votes: 94 Find similar productsSENLLY 다기능 폴리에스터 랜야드 (걸쇠) - 1. . |
 B004FM2FFW Price: $16.49 Score: 3.623 Category: Office Rating: 4.2 Votes: 277 Find similar productsDays of Glory (Indigenes) [Blu-ray]. Directed by Rachid Bouchareb. Starring Bernard Blancan, Jamel Debbouze, Roschdy Zem. |  B001078GJE Availability: Currently unavailable Score: 3.597 Category: Office Rating: 5 Votes: 1 Find similar productsEarly Middle Ages - DVD - The Teaching Company. Regularly $255.00 from manufacturer We often call them the Dark Ages, the era which spanned the decline and fall of Rome’s western empire and lingered for centuries, a time when the Ancient World was ending and Europe had seemingly vanished into ignorance and shadow, its literacy and urban life declining, its isolation from the rest of the world increasing. It was a time of decline, with the empire fighting to defend itself against an endless onslaught of attacks from all directions: the Vikings from the North, the Huns and other Barbarians from the East, the Muslim empire from the south. It was a time of death and disease, with outbreaks of plague ripping through populations both urban and rural. It was a time of fear, when religious persecution ebbed and flowed with the whims of those in power. And as Rome's power and population diminished, so, too, did its ability to handle the administrative burdens of an overextended empire. Fewer records were kept, leaving an often-empty legacy to historians attempting to understand the age. But modern archaeology has begun to unearth an increasing number of clues to this once-lost era. And as historians have joined them to sift through those clues—including evidence of a vast arc of Viking trade reaching from Scandinavia to Asia—new light has begun to fall across those once dark ages and their fascinating personalities and events. |